In the GNU Emacs user's manual, for example, this included instructions for obtaining GNU Emacs and Richard Stallman's essay The GNU Manifesto. Older versions of the GNU Emacs documentation appeared under an ad-hoc license that required the inclusion of certain text in any modified copy. The terms of the GNU General Public License (GPL) state that the Emacs source code, including both the C and Emacs Lisp components, are freely available for examination, modification, and redistribution. Longtime contributor John Wiegley was announced as the new maintainer on November 5, 2015. On SeptemMonnier announced that he would be stepping down as maintainer effective with the feature freeze of Emacs 25. Stefan Monnier and Chong Yidong have overseen maintenance since 2008. Richard Stallman has remained the principal maintainer of GNU Emacs, but he has stepped back from the role at times. Development took place in a single CVS trunk until 2008, and today uses the Git DVCS. The project has since adopted a public development mailing list and anonymous CVS access. Īlthough users commonly submitted patches and Elisp code to the net.emacs newsgroup, participation in GNU Emacs development was relatively restricted until 1999, and was used as an example of the "Cathedral" development style in The Cathedral and the Bazaar. Markus Hess exploited a security flaw in GNU Emacs's email subsystem in his 1986 cracking spree, in which he gained superuser access to Unix computers. It offered more features than Gosling Emacs, in particular a full-featured Lisp as its extension language, and soon replaced Gosling Emacs as the de facto Unix Emacs editor. GNU Emacs was later ported to the Unix operating system. In the current numbering scheme, a number with two components signifies a release version, with development versions having three components. A new third version number was added to represent changes made by user sites. The "1" was dropped after version 1.12 as it was thought that the major number would never change, and thus the major version skipped from "1" to "13". Early versions of GNU Emacs were numbered as "1.x.x," with the initial digit denoting the version of the C core. The first widely distributed version of GNU Emacs was version 15.34, released later in 1985. Version 13, the first public release, was made on March 20, 1985. GNU Emacs is written in C and provides Emacs Lisp, also implemented in C, as an extension language. This became the first program released by the nascent GNU Project. GNU Emacs was initially based on Gosling Emacs, but Stallman's replacement of its Mocklisp interpreter with a true Lisp interpreter required that nearly all of its code be rewritten. In 1976, Stallman wrote the first Emacs (“Editor MACroS”), and in 1984, began work on GNU Emacs, to produce a free software alternative to the proprietary Gosling Emacs. Richard Stallman, founder of the GNU Project and author of GNU Emacs The tag line for GNU Emacs is "the extensible self-documenting text editor". GNU Emacs is sometimes abbreviated as GNUMACS, especially to differentiate it from other EMACS variants. Throughout its history, GNU Emacs has been a central component of the GNU project, and a flagship of the free software movement. With proper support from the underlying system, GNU Emacs is able to display files in multiple character sets, and has been able to simultaneously display most human languages since at least 1999. GNU Emacs has been called "the most powerful text editor available today". In common with other varieties of Emacs, GNU Emacs is extensible using a Turing complete programming language. It was created by GNU Project founder Richard Stallman. GNU Emacs is a free software text editor. Unix-like ( GNU, Linux, macOS, BSDs, Solaris), Windows, MS-DOS
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Then, run to the safehouse, straddle the fence, and crouch so they are spitting at you but cannot hit you. Alternately, run around and get a few of the red spitting women enemies to chase you. Wait until night, then go out, kill the Bolter very quickly, and run back to the safehouse for a quick 3,000 Survivor Points. Unlock the Bolter feeding grounds, then go to the nearest safehouse. Note: Having another player sit at the bed will make this process faster. Repeat this process until your Power skill level is maxed. After killing all of the zombies, go back to the bed in the safe house, and sleep until it is night. Make sure you are hitting the zombies in the head to gain bonus XP. Then, kill the two giant zombies and all of the surrounding ones to gain a lot of Power XP. Killing zombies when camouflaged gives bonus XP (Level 9 Survival skill is when camouflage becomes available). Leave the floating safe house, and kill the first zombie while using camouflage. If it is not night, sleep to change it to night, as you will gain extra XP for killing enemies at night. Before starting, make sure you have a good weapon. You can use this area to easily level up your Power skills. Proceed through the main missions until you escape "The Pit" to unlock a small floating safe house. When you are at the top of the building, fall backwards, and repeat climbing the barrels and building again to get 120 Agility XP per second. Climb the barrels and then the building with RB. Leave the Tower, go down the stairs, and look to your left to see two barrels in front of a small building. Go to the Tower, and sleep until it is night (XP doubles during the night). Level up the "FreeRunning Adept" and "FreeRunning Expert" skill to gain 40 XP per climb. If you want to farm for money, you should stay in a quiet area near a safe zone, as the noise may attract enemies. Use the duplicates to kill enemies, and when the weapon is about to break you can make a new duplicate. Always keep a repaired version of your favorite weapon in the inventory. Note: If you buy the two backpack upgrades, you can carry more weapons and farm much quicker. Sell all the extra duplicated weapons for unlimited money. Repeat this process as many times as desired. While the weapon is in mid-air, open your inventory, and drop the thrown weapon to duplicate it (one thrown and one dropped). Then, equip the your most valuable melee weapon (or buy one from a merchant), and throw it. To have unlimited health, keep duplicating the med kit.įirst, buy the "Melee Throw" skill (Power Level 4 and Stun prerequisites) at the Power Skill menu. Sell unwanted items to get an unlimited amount of money. Then, invite a player back into your game, and repeat the process again to multiply the drop items. When the host's inventory is large enough, give the invited player your larger inventory, and have him or her leave with the quit option in the pause menu to save the invited player's now larger inventory. Invite a player back into your game, and repeat the process a few more times. Then, unplug the power cord on the back of the console, and plug it back in. Hold the middle Xbox button, and turn off the console. Then, select a game or demo to auto close Dying Light with your inventory intact.Ģ. Press the middle Xbox button to display the dashboard. The first method requires you to have a game or demo installed on the hard drive, but it is quicker than the second method.ġ. Next, have the invited player close the game without it saving his or her inventory. Invite the player back into your game, and have them drop the items you previously dropped for them. This will save the invited player's inventory. Then, have the invited player back out of the game with the quit option in the pause menu. Have the invited player pick up all items you dropped. Drop any items that you want to duplicate. If there is someone or something you would like to know, reach across the aisle and ask. I remember Marie telling me to let Sue’s tongue flick my scent into her nostrils so she could remember me.Įvery snake portrait I paint is filled with these impressions that I hope to pass on to you. I remember the handler at Discovery Place gently caring for and handling the boa while explaining they “snakes may look slimy, but they aren’t, they are just misunderstood!” I remember the black garter snake nipping at my terrier, Rushmore in Nashville (all parties were safe and not harmed) However, much of my work is painting pet portraits, and since my customers come from all over the world, I work. My only experiences prior were a class field trip to Discovery Place in Charlotte, NC when I was in the 4th grade plus the occasional black garter snake out in the backyard.īut each experience is tattooed on my brain.Ĭompletely fascinated and cautious, I searched deep to find out about these creatures, asking tons of questions. The game features: Addictive gameplay: unlock and chose your brush to paint even Faster. I paint (and draw) from life, whenever I can. Marie herself was a human guardian to a rescue ball python at the time (named Sue) so she knew the ropes. poet painter illustrator and storyteller drawing and painting from the poetic imagination Teacher 161 Followers 7 Following About Me Hello, Im Ipaintcreatures. When Marie and I first dated we house-sat a beautiful rescue king snake for a friend while they were on vacation. More generally, the role of social insurance programs as automatic stabilizers affects their optimal design. Two automatic fiscal policy stabilisers are of primary importance transfer payments, especially unemployment compensation, and the personal income tax. economy shows that taking concerns for macroeconomic stabilization into account raises the optimal unemployment benefits replacement rate by 13 percentage points but has a negligible impact on the optimal progressivity of the income tax. Using a series of analytical examples, we show that this term typically pushes for an increase in generosity and progressivity as long as slack is more responsive to social programs in recessions. We derive an augmented Baily-Chetty formula showing that the optimal generosity and progressivity depend on a macroeconomic stabilization term. Should the generosity of unemployment benefits and the progressivity of income taxes de- pend on the presence of business cycles? This paper proposes a tractable model where there is a role for social insurance against uninsurable shocks to income and unemployment, as well as inefficient business cycles driven by aggregate shocks through matching frictions and nominal rigidities. High unemployment rate means more and more people are eligible for government’s social security benefits which in turn increases the government expenditure component of the GDP and partially reduces the magnitude of decline in GDP due to slowdown.Counter-cyclical fiscal policy, distortionary taxes, redistributionĬepr.org/active/publications/discussion_papers/dp.php?dpno=11337 When there is an economic slowdown, companies lay off people thereby reducing the overall employment level. social security expenses such as unemployment insurance or any other such benefits which are payable to unemployed people comes into play in economic recessions. When the income level drops, tax obligations drop by a greater degree such that the net drop in income is lower. a fall in tax revenues from the circular. The opposite occurs in an economic recession. Automatic stabilisers are automatic fiscal changes as the economy moves through stages of the business cycle e.g. A drop in disposable income reduces the multiplying effect of consumption and business spending. In an economic expansion, the tax rate increases due to increase in overall income level which in turn reduces the disposable income. For example, automatic stabilizers muted fluctuations in years of extreme changes in GDP, up or down, by 1 to 2 percentage points in absolute value and. This feature of the tax system comes handy when there is an economic expansion or recession. the rate of tax increases as the income level increases. Personal and business taxes are typically progressive in nature i.e. The most prominent examples of automatic stabilizers are (a) personal and business taxes and (b) social security expenses such as unemployment insurance. This makes it extremely effective in moderating the impact of economic swings because there is no implementation lag. Automatic stabilizers are such factors which either reduce the net increase or decrease in a single GDP component or offset a change in one component with an opposite change in another component.Īs the name suggests, an automatic stabilizer comes into play on its own and no action by any policymakers is needed to activate an automatic stabilizer. In economic booms, at least one of the components of productions increase and in periods of economic recession, at least one decreases. The cycle of economic booms followed by slowdowns is called a business cycle and it involves distinct phases: expansion, peak, recession, trough and recovery. The real GDP changes over time due to a range of factors which are hard to predict and prevent. GDP comprises of private consumption, business investments, government expenditures and net exports (i.e. In economics, the most basic measure of an economy’s income level is the gross domestic product (GDP). The most common examples of automatic stabilizers include progressive tax codes and government programs. In periods of economic booms, such factors restrict the growth and in periods of slowdown they partially mitigate the drop in aggregate output. Automatic stabilizers are economic phenomena which moderate the effect of economic expansions and slowdowns. And that is precisely why it’s here and not, for example, at The Forum or anywhere else. Overall it is pure musical theatre, beautifully matched to perhaps one of the greatest stages in London. John Myung is a reserved but prowling presence, providing the complex and undulating foundations which add a sense of depth as well as gravity to the proceedings. John Petrucci is composed, controlled and precise, yet cutting loose when needed to give voice to the powerful emotions and subtle arias. Mike Mangini’s drumming is inspired, his reach seemingly knowing no bounds as he athletically drives the show from within the confines of the structure that houses the diverse array which forms his kit. Indeed, the band are absolutely magnificent in the way such complexity is made to look so effortless. James Labrie is majestic, shouldering an impressive and demanding variety of roles, characters and voices. From behind his beautifully ornate tilt-and-swivel keyboard podium, Jordan Rudess is maestro and conductor, the musical director who, with a flick of his wrist, visibly beats out time to the other band members and brings the instruments together as and when the story dictates. This is underpinned as the evening progresses by the various members of the band who constantly leave the stage when they are not playing and return again when it is time for them to continue their part in the story. However, at the end of the song there is no silence as with an opera or a theatrical stage show, each part of the album is linked with quieter interludes, narrative signposts and video links which transition us seamlessly from episode to episode, track to track. The band gradually assemble, some from concealed vantage points and, to a huge and vociferous reception, open with Dystopian Overture. We are here, quite simply, to witness a performance piece a single, continuous musical experience divided into two ‘Acts’.Īs the lights go down, the video backdrop begins to narrate Descent of the NOMACS, the story which will take us through the entire evening. From the projection driven backdrop, to the dressing of the stage, to the exquisitely produced libretto-style book, to the way the band are positioned and cleverly choreographed throughout the evening, the venue has been chosen precisely because of the traditional form, structure and style of operatic and musical theatre, the way it works, the way it proceeds and the way it behaves. We are here for one purpose and one purpose only. There is no mining of the back catalogue to present a collection of individual songs. This is not – and was never intended to be – a ‘gig’. And as the evening unfolds, this powerful combination of context and concept driven performance becomes at once both the source of its triumphant success as well as its Achilles heel. Yet what quickly becomes clear is that the choice of venue is a deliberate and quite telling statement of intent by the band which matches perfectly the bold and courageous statement being made by the release of a concept album which is itself over two hours of pure musical theatre. Despite a long and varied history of musical theatre, the setting certainly appears to be a curious context for one of prog’s more metal-oriented super-groups, whilst the excitable audience eagerly filling the seats don’t seem to be an entirely natural fit for such a revered and iconic venue. There is a heightened sense of expectation and anticipation as a high spirited crowd gather on a chilly night outside the doors of the London Palladium for the opening night of Dream Theater’s world tour and the debut performance of their latest release, The Astonishing. Diversity is about having, and listening to, the different voices at the table to better prepare an investment firm for managing and executing upon situations, such as those we face today.Īs NAREIM, in partnership with Ferguson Partners, prepares to invite real estate investment managers to participate in its Diversity & Inclusion survey this fall, we asked institutional investors to talk about their perspectives on diversity and inclusion and how they are working with investment managers to deliver lasting change for the industry. It's also about diversity of thought and the diversity of ideas within a team. However, there is a bigger issue at stake, something which is succinctly articulated by Alisa Mall in the accompanying interview.ĭiversity is not just about gender or ethnicity. According to the NAREIM 2019 D&I report, just 16% of executive managers were women and just 6% were non-white. It's easy to talk of the lack of diversity in the real estate investment management industry. This fall, NAREIM is expanding it's survey in an effort to help the entire industry become more diverse. New and existing managers are scored on their diversity, comprising gender, ethnicity and background.ĭiversity isn't about penalizing managers - but to encourage and incentivize them to evolve and build a culture where diversity and diversity of thought matters.Ībout the NAREIM Diversty & Inclusion Surveyįor more than a decade, NAREIM has produced a Diversity & Inclusion (D&I) Survey for members. If the ownership lacks diversity, do diverse professionals have a seat at the table and a voice in decision making? Diversity is not just about the ownership of the firm, but the entire firm. Managers should be committed to valuing different voices and different backgrounds. If the senior management team all look alike, Carnegie asks: "Why is that the case, how are you thinking about it and what are you doing to change it?" "What Carnegie really wants to understand is a manager’s commitment to valuing the diversity of opinions in their firms and how they value all their people, and in particular diverse voices." Download your complimentary copy of the article here. The interview is one of a series of investor perspectives on diversity being published as part of the NAREIM Diversity & Inclusion Survey. She is an alumnus of the Yale University. Mall and West explore the tactics Carnegie is employing to promote diversity among its managers, how they are being constructive not punitive and how the endowment is underwriting new and existing relationships on manager ownership and employee diversity metrics. Alisa Mall lives in New York, NY, but has also spent time in Tiburon, CA Stanford, CA and Belvedere, CA. Speaking with Suzanne West, senior advisor of The CenterCap Group and former investor, Mall says it’s critical for real estate investment managers to become “mentally, emotionally and financially committed to diversity” to create a culture that values diversity of thought to drive performance. Alisa Mall, the real estate head of Carnegie Corporation of New York, talks about the endowment’s work to improve diversity across their own portfolio, and the industry, as part of a new NAREIM series of investor perspectives into diversity and inclusion. # requirements.txt should include: packageA= -e / #egg= To include Git dependencies and submodules dependencies, located at: To pip install a specific version of a repository branch, enter: pip install git / / Pip Install Git Requirements.txt To install the latest commit of the Exchangelib package, run: pip install git Pip Install Git Subdirectory The following command syntax can be used to install the default branch of a github project: pip install git /. Once your Git identity has been configured, you can begin using Git to install Github branches. This is important because every Git commit uses this information: git config -global user.name "John Doe" git config -global user.email only needs to be done once on each computer, if you include the –global option.Īfter you have set your user name and email address, you can check your settings with the following command: git config -list Git Usage Output should be similar to: usage: git config. You can view your default Git configuration options with the following command: git config -h Once Git is installed, your Git environment and configuration variables need to be customized with git config. Once complete, you can double-click the installer and follow the steps. A download of the Windows Git installer will begin automatically. To install Git for Windows, point your browser at. Once Homebrew is installed, you can install Git with the following command: brew install git To install Homebrew, run the following script in your terminal: /bin/bash -c "$(curl -fsSL )"
Progress can be slow because money might be funnelled through virtual engineers that help repair your vehicle after it suffers one of the many embarrassing accidents. Underperform, or accidentally skip events, and championships will need to be repeated to access these harder tiers. Performing well will see you earn funds to purchase more cars and also unlock harder championships. Each championship is comprised of stages set in a particular location, like Wales or Germany. Players can enter these with owned vehicles that are grouped into eras or types. The career mode consists of long Rally championships of varying difficulties. Players can race single events, but the career has a progression system (cars and credits) so it will likely be more popular. The Early Access route worked fairly well for DiRT Rally after only eight months in the program.Īs expected, the majority of content revolves around the Rally discipline-single direction courses with a navigating co-driver. Courses and even modes were released steadily during development, along with tweaks and fixes. The time was put to good use from a technical perspective, with sizable updates and a final product that is largely free of issues. It gave Codemasters the opportunity to assess the viability of a simulation title and refine it based on player feedback. Few could blame Codemasters for testing this community-involved development process when every survival game, from A to DayZ, has been using it for years. Sometimes you need to drive before you can flyĭiRT Rally was actually released first via Early Access in April of 2015. How do I Create Text Replacement Shortcuts in macOS?Ĭreate your Text Replacement shortcuts from the System Preferences in macOS. There’s no limit to the uses you can find for Text Replacement on your Mac. signoff = Thanks for reading, let us know your thoughts in the comments!.Here are some good examples of Text Replacement shortcuts you can create in macOS: You’re only limited by your ability to think of ideas. But you can also use it to correct typos, input symbols, or create HTML code.īasically, you can use Text Replacement for almost anything. Some people use Text Replacement to quickly insert addresses, legal disclaimers, or signatures. What Can I Do With Text Replacement in macOS If there’s no Substitutions option, it means the app you’re using doesn’t work with Text Replacement in macOS. Next time you type a text replacement shortcut, macOS substitutes it with your replacement text. In the menu bar, go to Edit > Substitutions and turn on Text Replacement. What to Do If Text Replacement Is Not Working in macOS Consider a Third-Party Text Expansion Utility.Edit Your Saved Text Replacement Shortcuts Enable Text Replacement Substitutions in Each App
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